historical places

Qutub Minar

Historical Construction Of A Landmark In 1199, Qutub-ud-Din raised the Qutub Minar either as a victory tower or as a minaret to the adjacent mosque. From a base of 14.32m it tapers to 2.75m at a height of 72.5m and a valid reason why it took two decades to complete this monument. Its a red sandstone tower covered with beautiful and striking carvings and is inscribed with verses from the holy Quran.
Qutub Minar is still the highest stone tower in India as well as one of the finest Islamic structures ever raised and Delhi's recognised landmark. The sultan's successor and son-in-law, Iltutmish, completed it. In 1303, Ala-ud-Din established the second city of Delhi, called Siri, of which nothing remains but the embattlements. He also had dug a vast reservoir, Hauz Khas, to supply water to his city. Contemporary historians describe the Delhi of that time as being the "envy of Baghdad, the rival of Cairo and equal to Constantinople". For the sake of convenience, tourists visiting the Qutub Complex could also see the Tomb of Adham Khan and Zafar Mahal in Mehrauli and the Tomb of Jamali-Kamali behind the Qutub Minar. These however, belong to a later date. The Damage & Restoration From the Nagari and Persian inscriptions on the minar, it appears that it was damaged twice by lightning, in 1326 and 1368.

The first damage occurred during Muhammed Tughluq's reign (1325-51), and was repaired by him apparently in 1332. The second damage was attended by Feroze Tughluq (1351-88). Later in 1503, Sikandar Lodi (1489-1517) also carried out some restoration in the upper storeys. Originally the minar had only four storeys, faced with red and buff sandstone. The uppermost storey, which was damaged in 1368 during Feroze Tughluq's reign, was replaced by him by two storeys, making free use of marble but leaving the lower portion of the fourth storey built with sandstone in its original condition. The original three storeys are each laid on a different plan, the lowest with alternate angular and circular flutings, the second with round ones and the third with angular ones only, with the same alignment of flutings, however, being carried through them all. Its projecting balconies with stalactite pendentive type of brackets and inscriptional decorative bands on different storeys heighten its decorative effect. It has a diameter of 14.32 m at the base and about 2.75 m on the top. With a height of 72.5 m and 379 steps, it is the highest stone tower in India and a perfect example of minar known to exist anywhere.

 The Legend Of The Qutub There exists a tradition that the Qutub-Minar was built by Prithviraj, the last Chauhan king of Delhi, for enabling his daughter to behold the sacred river Yamuna, from its top as part of her daily worship. A Landmark In Islamic Architecture The Minar's entire architecture, however, bespeaks an Islamic origin, with two of its prototypes in brick still existing at Ghazni, although Hindu craftsmen were certainly employed for its construction, as is evident also from certain 'Devanagari' inscriptions on its surface. Sometimes sculptured stones from temples have been found utilised in it. Originally, it was surmounted by a cupola, which fell down during an earthquake and was replaced early in the 19th century with a new cupola in the late Mughal style, by one Major Smith. It looked, however, so incongruous that it was brought down in 1848, and may now be seen on the lawns to the south east of the 

minar. A Complex Of Astounding Monuments Quwwatu'l-Islam Masjid Just adjacent to the tower is the mosque of Quwwatu'l-Islam Masjid, which can become a bewildering experience for those who are not familiar with its history. It was supposed to have been built using the materials and masonry of the remains of Hindu Temples and architecture. On one hand there is the beautiful, exceptional Islamic handwriting and brocaded designs. Then there are pillars with clearly pre-Islamic Hindu motifs. The reason is that the pillars were taken from the 27 temples of Qila Rai Pithora, the city of the Rajput king Prithviraj Chauhan.This in fact has been recorded by Qutub-ud-Din in his inscriptions,who call it the Jami Masjid (Friday Mosque) in his inscriptions.

  The mosque was started in 1192 by Qutub-ud-din Aibak, the first ruler of the Slave Dynasty and was finished four years later.

The Iron Pillar In the courtyard of the Quwwatu'l-Islam mosque stands the famous iron pillar, which bears a Sanskrit inscription in Gupta script, palaeographically assignable to the 4th century, a date which is also confirmed by the peculiar style of its 'Amalaka'-capital. The inscription records that the pillar was set up as a standard or dhvaja of god Vishnu on the hill known as 'Vishnupada', in the memory of a mighty king, named 'Chandra', who is now regarded as identical with Chandragupta II (375-413) of the imperial Gupta dynasty. A deep hole on the top of the pillar indicates that an additional member, perhaps an image of 'Garuda', was fitted into it to answer to its description as a standard of Vishnu. The pillar has been brought here evidently from somewhere, else, as no other relics of the 4th century are found at the site. There is a strong bardic tradition that it was brought here - wherefrom, nobody knows - by Anangpal, the Tomar king who is credited with the founding of Delh

Jama Masjid

The Biggest Mosque In India:

Near the Red Fort about 500m away is the Jama masjid, the biggest mosque in India. It was begun by Shah Jahan in 1650 and completed six years later and the whole cost about a million rupees. It is hard to imagine a building more suited to evoking the awe of the majesty of Allah in man. The mosque stands on a rocky elevation. Its huge gateway looks down at you like fastidious connoisseur from an immense platform which has steps that lead up to it.

Constructed in Sandstone and white marble, Jama Masjid can be entered from both the directions - North and the South Gates. The eastern gateway is supposed to remain open in Friday and was used by the emperor himself. Jama Masjid is cluttered by devotees who offer namaz, especially during Muslim Festival. For those who don't belong to non - Muslim community, a specified time is mentioned to enter the mosque

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old fort places in delhi

Qutub Minar

Historical Construction Of A Landmark In 1199, Qutub-ud-Din raised the Qutub Minar either as a victory tower or as a minaret to the adjacent mosque. From a base of 14.32m it tapers to 2.75m at a height of 72.5m and a valid reason why it took two decades to complete this monument. Its a red sandstone tower covered with beautiful and striking carvings and is inscribed with verses from the holy Quran.
Qutub Minar is still the highest stone tower in India as well as one of the finest Islamic structures ever raised and Delhi's recognised landmark. The sultan's successor and son-in-law, Iltutmish, completed it. In 1303, Ala-ud-Din established the second city of Delhi, called Siri, of which nothing remains but the embattlements. He also had dug a vast reservoir, Hauz Khas, to supply water to his city. Contemporary historians describe the Delhi of that time as being the "envy of Baghdad, the rival of Cairo and equal to Constantinople". For the sake of convenience, tourists visiting the Qutub Complex could also see the Tomb of Adham Khan and Zafar Mahal in Mehrauli and the Tomb of Jamali-Kamali behind the Qutub Minar. These however, belong to a later date. The Damage & Restoration From the Nagari and Persian inscriptions on the minar, it appears that it was damaged twice by lightning, in 1326 and 1368.
The first damage occurred during Muhammed Tughluq's reign (1325-51), and was repaired by him apparently in 1332. The second damage was attended by Feroze Tughluq (1351-88). Later in 1503, Sikandar Lodi (1489-1517) also carried out some restoration in the upper storeys. Originally the minar had only four storeys, faced with red and buff sandstone. The uppermost storey, which was damaged in 1368 during Feroze Tughluq's reign, was replaced by him by two storeys, making free use of marble but leaving the lower portion of the fourth storey built with sandstone in its original condition. The original three storeys are each laid on a different plan, the lowest with alternate angular and circular flutings, the second with round ones and the third with angular ones only, with the same alignment of flutings, however, being carried through them all. Its projecting balconies with stalactite pendentive type of brackets and inscriptional decorative bands on different storeys heighten its decorative effect. It has a diameter of 14.32 m at the base and about 2.75 m on the top. With a height of 72.5 m and 379 steps, it is the highest stone tower in India and a perfect example of minar known to exist anywhere.
 The Legend Of The Qutub There exists a tradition that the Qutub-Minar was built by Prithviraj, the last Chauhan king of Delhi, for enabling his daughter to behold the sacred river Yamuna, from its top as part of her daily worship. A Landmark In Islamic Architecture The Minar's entire architecture, however, bespeaks an Islamic origin, with two of its prototypes in brick still existing at Ghazni, although Hindu craftsmen were certainly employed for its construction, as is evident also from certain 'Devanagari' inscriptions on its surface. Sometimes sculptured stones from temples have been found utilised in it. Originally, it was surmounted by a cupola, which fell down during an earthquake and was replaced early in the 19th century with a new cupola in the late Mughal style, by one Major Smith. It looked, however, so incongruous that it was brought down in 1848, and may now be seen on the lawns to the south east of the

minar. A Complex Of Astounding Monuments Quwwatu'l-Islam Masjid Just adjacent to the tower is the mosque of Quwwatu'l-Islam Masjid, which can become a bewildering experience for those who are not familiar with its history. It was supposed to have been built using the materials and masonry of the remains of Hindu Temples and architecture. On one hand there is the beautiful, exceptional Islamic handwriting and brocaded designs. Then there are pillars with clearly pre-Islamic Hindu motifs. The reason is that the pillars were taken from the 27 temples of Qila Rai Pithora, the city of the Rajput king Prithviraj Chauhan.This in fact has been recorded by Qutub-ud-Din in his inscriptions,who call it the Jami Masjid (Friday Mosque) in his inscriptions.

  The mosque was started in 1192 by Qutub-ud-din Aibak, the first ruler of the Slave Dynasty and was finished four years later.
The Iron Pillar In the courtyard of the Quwwatu'l-Islam mosque stands the famous iron pillar, which bears a Sanskrit inscription in Gupta script, palaeographically assignable to the 4th century, a date which is also confirmed by the peculiar style of its 'Amalaka'-capital. The inscription records that the pillar was set up as a standard or dhvaja of god Vishnu on the hill known as 'Vishnupada', in the memory of a mighty king, named 'Chandra', who is now regarded as identical with Chandragupta II (375-413) of the imperial Gupta dynasty. A deep hole on the top of the pillar indicates that an additional member, perhaps an image of 'Garuda', was fitted into it to answer to its description as a standard of Vishnu. The pillar has been brought here evidently from somewhere, else, as no other relics of the 4th century are found at the site. There is a strong bardic tradition that it was brought here - wherefrom, nobody knows - by Anangpal, the Tomar king who is credited with the founding of Delhi.

Old Fort Delhi

Introduction
The Purana Quila or the old fort is one of the most captivating tourist sites that narrate the history of Delhi in details. Constructed by the Mughal emperor – Humayun, the Purana Quila is evidence to the glory of the Mughal art. The Purana Quila is situated in New Delhi and is said to guard the ruins of the city of Indraprastha that is mentioned in the Mahabharata.
History
Known as Dinpanah meaning the ‘refuge of the faithful', the Purana Quila was built between 1538 and 1545 by the Mughal emperor Humanyun. The fort originally lay on the bank of the river Yamuna before the river changed its course. The Purana Quila was built by Humayun in an attempt to build a city of his own. But characteristically, the Old Fort did not bear the name of its creator unlike the other emperors erecting such structure. When Sher Shah defeated Humayun most of the structures inside the old fort were demolished and was renamed as ‘Shergarh' . But once again as Humayun recaptured his city from Sher Shah's son he took the task of completing the city and rebuilding its old glory.
Description
The Purana Quila is another reminder of the bygone Mughal era which excelled in architectural styles. The Purana Quila has three majestic gates:
The Humayun Darwaza
The Bara Darwaza
The Talaqi Darwaza
The three gates are double storied and built with red sandstone. The Humayun Darwaza and the Bara Darwaza were the two gates that were open for entry inside the old fort. Entry was prohibited through the Talaqi Darwaza as the name suggests. Talaqi means ‘forbidden'

• The other two attractions at the fort site are:
• Qila-I-Kuhna Masjid,
• Sher Mandal
• the small museum

The Qila-I-Kuhna Masjid was built by Sher Shah when he had captured the Purana Quila after defeating Humayun in 1541. The prayer hall is the most imposing part of the masjid that has five doorways with horse shoe shaped arches. The original plans of building the entire place with marble was jeopardized due to supply shortage. But the fusion of marble and sandstone has given the masjid a unique style.
The Sher Mandal is now an observatory, octagonal in shape. The structure and style of the building suggests that the Sher mandal was built for entertainment purposes. The style and design of the building proves a definite coupling of the Muslim and Hindu architectural magnificence. When Humayun recaptured the Purana quila from Sher shah's son, he used the Sher Mandal as his own library.
The museum at the gate of the Purana Quila has many artifacts recording the beginning and end of a glorious era of the Mughal period.
How to get there
Tourists can avail local buses, taxis and auto rickshaws from different points within the city. Many hotels arrange for conducted tours for tourists.
Get more information on other tourist attractions in Delhi while browsing our site and for online booking, please fill in the form given

Jama Masjid

The Biggest Mosque In India:
Near the Red Fort about 500m away is the Jama masjid, the biggest mosque in India. It was begun by Shah Jahan in 1650 and completed six years later and the whole cost about a million rupees. It is hard to imagine a building more suited to evoking the awe of the majesty of Allah in man. The mosque stands on a rocky elevation. Its huge gateway looks down at you like fastidious connoisseur from an immense platform which has steps that lead up to it.
Constructed in Sandstone and white marble, Jama Masjid can be entered from both the directions - North and the South Gates. The eastern gateway is supposed to remain open in Friday and was used by the emperor himself. Jama Masjid is cluttered by devotees who offer namaz, especially during Muslim Festival. For those who don't belong to non - Muslim community, a specified time is mentioned to enter the mosque










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historical places

Lodi Tomb

Evidence of the sixth city, said to have been built by the Sayyid and Lodi dynasties is found only in the tombs and mosques in the famous Lodi Gardens, which is a favourite point for early morning walkers from the posh south Delhi coloniesLodi Tomb Situated about 3-kms to the west and adjoining the Indian International Centre are the Lodi Gardens.History has it that the tombs are remnants of another city that was sought to be built in Delhi. Muhammad Shah's tomb built in 1450 is a prototype for the later Mughal style tomb of Humayun, a design that would eventually develop into the Taj Mahal.
Other tombs include those of his predecessors Mubarak Shah -1433, Ibrahim Lodi - 1526 and Sikander Lodi - 1517. The Bara Gumbad Mosque is a fine example of its type of plaster decoration

Red Fort

About Red Fort
Red Fort or Lal Quila as it is more popularly known is a masterpiece of architecture and one of the most haunting spots for tourists from both India and abroad. This colossal fort on the banks of the river Yamuna, built by Shahjahan as the citadel of the 17th Century Delhi is a significant link between the past and the present, for it is from here that the prime minister of India addresses the people on the Independence Day (August 15th).
Mughal Emperor Shahjahan started construction of the Red Fort in 1638, which was completed in 1648. The fort contains - halls of public and private audience, domed and arched marble palaces, plush private apartments, a mosque and elaborately designed gardens. Even today, the fort continues to be an impressive evidence to Mughal grandeur.
The Architecture
The Red Fort with thick red sandstone walls, bulging with turrets and bastions is one of the largest and oldest monument in Delhi India. The Fort rises above a wide dry moat in the northeast corner of the original city of Shahjahanabad, now Old Delhi. Its walls extend from 2 kms and vary in height from 18 m on the river side to 33 m on the city side.
The Fort also houses the Diwan-i-Am or the Hall of Public Audiences where the Emperor would sit and hear complaints of the common folks. The Diwan-i-Khas is the hall of private audiences where the Emperor held private meetings. This hall is made of marble and its centre-piece used to be the Peacock Throne, which was carried away to Iran by Nadir Shah in 1739.
The other attractions within this monument are the Royal Baths or hammams, the Shahi Burj, which used to be Shahjahan's private working area and the Moti Masjid or the Pearl Mosque, built by Aurangzeb for his personal use. The Rang Mahal or the "Palace of Colours" housed the Emperor's wives and mistresses. This palace was crowned with gilded turrets, delicately painted and decorated with an intricate mosaic of mirrors, and a ceiling overlaid with gold and silver that was reflected in a central pool in the marble floor.

Humayun's Tomb

Humayun was the eldest son of Babar who was the first emperor of Mughal Empire in India. He succeeded in becoming the next Emperor. Humayun ruled India for about a decade till he was bitten by an Afghan Emperor Sher Shah Suri. In 1555 AD Humayun regained Delhi with the help of Shah of Persia. Humayun died an unfortunate death in less than a year's time after his conquer. He felt from the stairs of his own library known as Sher Mandal library. The Persian wife of Humayun named Bega Begum then decided to build a tomb for her husband which was named as Humayun Tomb.
The construction of the tomb started in 1562 and the building was completed in the year 1572. The building is famous as the first building built in the era of Humayun's son Jallaluddin Mahammad commonly known as the Akbar. The tomb was constructed with the help of Persian architect named Mirak Mirza Ghiyuath. For this reason, Humayun Tomb has a clear influence of Persian architecture. The site for construction was chosen on the bank of Yamuna River adjoining the shrine of the Nizamuddin Auliya a Sufi saint of Chisti silsilah. The tomb was the first garden tomb made in India. This tomb became the landmark in establishing different essential norms for buildings later built in Mughal Era.

The structure is mainly built in red sandstone. The marble is largely used in the borders. The dome is made of white marble. To relieve the monotony black and white marbles have been used. Humayun's tomb is the first building built in India to use the originally Persian concept of a double dome. The tomb is geometrically placed in the middle of specially made garden. The garden is divided into 4 parts. Therefore the garden is called as Char Bagh. The garden is divided in 36 small squares by grid of water paths and channels. The Persian garden concept was introduced in this tomb firstly which then went on till the period of Shah Jahan.

There are two double-storey gateways on south and west that lead to the enclosure. There is a pavilion at the center of the eastern wall and a bath chamber in present at the center of the northern wall. For entering the tomb's chamber we have to come through the south entrance. The other three sides have been covered with mesh wire and white marble. In the exact middle of the central chamber lies the tomb. The actual resting-place of Humayun is directly beneath the underground chamber. The roof is surmounted by a double dome made of marble which has huge diameter of 42.5 meters. The dome had pillared kiosks (also called as chhatris) placed around it. Several rulers of the Mughal era have been buried here.
In 1857, during the first independence war, Bahadur Shah Zafar with three princes had taken refuge in this tomb. Humayun's Tomb is a must visit place if you are planning to roam Delhi, the city of big hearted people!
Accommodation:
Being a capital of India, Delhi serves you with all types of stay and food options. Many 3 star, 5 star hotels are available in the city. Also many low cost lodges make you rooms available.








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historical delhi places

Delhi University Colleges

Delhi University Colleges

Kirori Mal College

September 15, 2011 by delhiplaces

Head/Principal Name: : 

Dr. Bhim Sen Singh

Address: 

Kirori Mal CollegeUniversity of DelhiDelhi

Pin code: 

110007

• Delhi University Colleges

Lady Irwin College

September 15, 2011 by delhiplaces

Head/Principal Name: : 

Dr.(Ms) Anupa Siddhu

Address: 

Lady Irwin College,Sikandra Road,New Delhi

Pin code: 

110001

• Delhi University Colleges

Lakshmibai College

September 15, 2011 by delhiplaces

Head/Principal Name: : 

Dr. (Ms.) Karuna Kaushik

Address: 

Ashok Vihar, Phase-III,Delhi

Pin code: 

110052

• Delhi University Colleges

Maharshi Valmiki College of Education

September 15, 2011 by delhiplaces

Head/Principal Name: : 

Dr. Prabhjot Kulkarni

Address: 

Geeta Colony,Delhi-

Pin code: 

110031

• Delhi University Colleges

Institute of Home Economics

September 15, 2011 by delhiplaces

Head/Principal Name: : 

Dr. Kumud Khanna

Address: 

F-4, Hauz Khas EnclaveNew Delhi

Pin code: 

110016

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Jesus & Mary College

September 15, 2011 by delhiplaces

Head/Principal Name: : 

Sr. (Dr.) Marina John r.j.m

Address: 

Jesus & Mary College,Chankayapuri,New Delhi

Pin code: 

110021

• Delhi University Colleges

Kamala Nehru College

September 15, 2011 by delhiplaces

Head/Principal Name: : 

Dr.(Ms.) Minoti Chatterjee

Address: 

August Kranti MargNew Delhi

Pin code: 

110049

• Delhi University Colleges

Indira Gandhi Institute of Physical Education & Sports Sciences

September 15, 2011 by delhiplaces

Head/Principal Name: : 

Dr. D.K. Kansal

Address: 

B-Block, Vikas Puri,Delhi

Pin code: 

110015

• Delhi University Colleges

Deshbandhu College

September 15, 2011 by delhiplaces

Head/Principal Name: : 

Dr. A.P. Raste

Address: 

Kalkaji,New Delhi

Pin code: 

110019

• Delhi University Colleges

Dyal Singh College (Evening)

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Head/Principal Name: : 

Dr. Deepak Malhotra

Address: 

Lodhi Road,New Delhi

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110003 

Jantar Mantar

A unique structure raised in 1724, now lies in the heart of Delhi's commercial centre near Connaught place. This is the Jantar Mantar, one of several astronomical observatories raised by Maharaja Jai Singh II of Jaipur. The various abstract structures within the Jantar Mantar are, in fact, instruments that were used for keeping track of celestial bodies. Yet, Jantar Mantar is not only a timekeeper of celestial bodies, it also tells a lot about the technological achievements under the Rajput kings and their attempt to resolve the mysteries regarding astronomy. The Jantar Mantar of Delhi is only one of the five observatories built by Sawai Jai Singh II, the other four being located at Jaipur, Varanasi, Ujjain and Mathura.
All of these were built as far back as AD 1724-1730 during the period generally known as the dark age of Indian history, when the last great Mughal emperor Aurangzeb had died and the Mughal Empire was rapidly declining. During this period of turmoil, Muhammad Shah ascended the throne of the Mughal Empire. As many enemies surrounded him, he sought the alliance of the Hindu rulers. Of these, the most notable was Sawai Jai Singh II of Amber, who came into limelight since the days of Aurangzeb. When Jai Singh ascended the throne of Amber in 1699, he was barely eleven, but sharp and shrewd far beyond his years. The then Mughal emperor Aurangzeb was so impressed with the young ruler that he gave Jai Singh II the title of 'Sawai', meaning one and a quarter of an average man in worth.
As Jai Singh repeatedly proved himself a worthy ally of the Mughals, Muhammad Shah, who was seeking a dependable ally, zeroed in on Jai Singh and duly raised him to the rank of governor of Agra and later, of Malwa. Legend Behind Jantar Mantar Jai Singh was passionate about two things-arts and the sciences, chiefly astronomy. Once, at the court of Muhammad Shah, he found the Hindu and Muslim astrologers embroiled in a heated argument over certain planetary positions. It was imperative that the positions be known accurately to determine an auspicious hour for the emperor to set out on an expedition. Jai Singh offered to rectify the then available astronomical tables, an offer that was readily accepted by the Mughal emperor.
The result was an onsite Jantar Mantar in Delhi, an astronomical observatory where the movements of sun, moon and planets could be observed.
Jai Singh's idea was to create a rebirth of practical astronomy among the Indian masses and practicing astronomers. However, the lofty ideals of the Jantar Mantar remained unfulfilled as the country at that time was in chaos and the full potential of this observatory was never realized. In the beginning, Jai Singh tried to use brass instruments in this observatory, but soon gave them up because of several inherent flaws. They were too small, for one thing, their axes were unstable so the center often got displaced. He then decided to follow the style adopted by the renowned Arab astronomer, Prince Ulugh Beg, builder of the famous 15th century observatory at Samarkand, Uzbekistan. The massive masonry instruments at Samarkand suited Jai Singh's architectural tastes and promised to be more accurate because of sheer size. In 1730, Jai Singh sent a mission to the king of Lisbon. On its return to Jaipur, the mission brought back a telescope and the court astronomer by the name of Xavier de Silva. The Observatory This unique observatory was completed in 1724 and remained operational only for seven years.

Astronomical observations were regularly made over here and these observations were used for drawing up a new set of tables, later compiled as Zij Muhammad Shahi dedicated to the reigning monarch. Jai Singh named his observatory Jantar Mantar, which is actually pronounced, as 'Yantra Mantra', yantra for instrument and mantra for formula. A huge sundial known as "Samrat Yantra" or 'Prince of Dials',

 meant to measure accurate time of the day within half a second and the declination of the sun and other heavenly bodies dominates it.
Jai Singh himself designed this yantra. Other yantras were also meant for the study of heavenly bodies, plotting their course and predicting eclipses. The two pillars on the southwest of Mishra Yantra are meant to determine the shortest and longest days of the year. Interestingly, in December one pillar completely covers the other with its shadow while in June it does not cast any such shadow at all. After the completion of the first Jantar Mantar and with a view to verifying astronomical observations made at Delhi, Jai Singh built similar, even if smaller observatories, at other important Indian cities-Jaipur, Varanasi, Ujjain, and Mathura. The Jantar Mantars may have fallen into disuse but they remain an integral part of India's scientific heritage. It presents that the spirit of scientific enquiry was not dead in India and would have yielded rich results if only an opportunity of research and development had been given to it. This monument situated just a stroll away on the Parliament Street, still remains one of the most intriguing structures of the capital, one that burst in a flood of questions inside the curious mind of the tourist. Timing : Daily 9.00am - 7.00pm.

source: historical places in delhi {www.delhiplaces.com}

 

historical places in delhi

Jantar Mantar

A unique structure raised in 1724, now lies in the heart of Delhi's commercial centre near Connaught place. This is the Jantar Mantar, one of several astronomical observatories raised by Maharaja Jai Singh II of Jaipur. The various abstract structures within the Jantar Mantar are, in fact, instruments that were used for keeping track of celestial bodies. Yet, Jantar Mantar is not only a timekeeper of celestial bodies, it also tells a lot about the technological achievements under the Rajput kings and their attempt to resolve the mysteries regarding astronomy. The Jantar Mantar of Delhi is only one of the five observatories built by Sawai Jai Singh II, the other four being located at Jaipur, Varanasi, Ujjain and Mathura.
All of these were built as far back as AD 1724-1730 during the period generally known as the dark age of Indian history, when the last great Mughal emperor Aurangzeb had died and the Mughal Empire was rapidly declining. During this period of turmoil, Muhammad Shah ascended the throne of the Mughal Empire. As many enemies surrounded him, he sought the alliance of the Hindu rulers. Of these, the most notable was Sawai Jai Singh II of Amber, who came into limelight since the days of Aurangzeb. When Jai Singh ascended the throne of Amber in 1699, he was barely eleven, but sharp and shrewd far beyond his years. The then Mughal emperor Aurangzeb was so impressed with the young ruler that he gave Jai Singh II the title of 'Sawai', meaning one and a quarter of an average man in worth.
As Jai Singh repeatedly proved himself a worthy ally of the Mughals, Muhammad Shah, who was seeking a dependable ally, zeroed in on Jai Singh and duly raised him to the rank of governor of Agra and later, of Malwa. Legend Behind Jantar Mantar Jai Singh was passionate about two things-arts and the sciences, chiefly astronomy. Once, at the court of Muhammad Shah, he found the Hindu and Muslim astrologers embroiled in a heated argument over certain planetary positions. It was imperative that the positions be known accurately to determine an auspicious hour for the emperor to set out on an expedition. Jai Singh offered to rectify the then available astronomical tables, an offer that was readily accepted by the Mughal emperor.
The result was an onsite Jantar Mantar in Delhi, an astronomical observatory where the movements of sun, moon and planets could be observed.
Jai Singh's idea was to create a rebirth of practical astronomy among the Indian masses and practicing astronomers. However, the lofty ideals of the Jantar Mantar remained unfulfilled as the country at that time was in chaos and the full potential of this observatory was never realized. In the beginning, Jai Singh tried to use brass instruments in this observatory, but soon gave them up because of several inherent flaws. They were too small, for one thing, their axes were unstable so the center often got displaced. He then decided to follow the style adopted by the renowned Arab astronomer, Prince Ulugh Beg, builder of the famous 15th century observatory at Samarkand, Uzbekistan. The massive masonry instruments at Samarkand suited Jai Singh's architectural tastes and promised to be more accurate because of sheer size. In 1730, Jai Singh sent a mission to the king of Lisbon. On its return to Jaipur, the mission brought back a telescope and the court astronomer by the name of Xavier de Silva. The Observatory This unique observatory was completed in 1724 and remained operational only for seven years.

Astronomical observations were regularly made over here and these observations were used for drawing up a new set of tables, later compiled as Zij Muhammad Shahi dedicated to the reigning monarch. Jai Singh named his observatory Jantar Mantar, which is actually pronounced, as 'Yantra Mantra', yantra for instrument and mantra for formula. A huge sundial known as "Samrat Yantra" or 'Prince of Dials',

 meant to measure accurate time of the day within half a second and the declination of the sun and other heavenly bodies dominates it.
Jai Singh himself designed this yantra. Other yantras were also meant for the study of heavenly bodies, plotting their course and predicting eclipses. The two pillars on the southwest of Mishra Yantra are meant to determine the shortest and longest days of the year. Interestingly, in December one pillar completely covers the other with its shadow while in June it does not cast any such shadow at all. After the completion of the first Jantar Mantar and with a view to verifying astronomical observations made at Delhi, Jai Singh built similar, even if smaller observatories, at other important Indian cities-Jaipur, Varanasi, Ujjain, and Mathura. The Jantar Mantars may have fallen into disuse but they remain an integral part of India's scientific heritage. It presents that the spirit of scientific enquiry was not dead in India and would have yielded rich results if only an opportunity of research and development had been given to it. This monument situated just a stroll away on the Parliament Street, still remains one of the most intriguing structures of the capital, one that burst in a flood of questions inside the curious mind of the tourist. Timing : Daily 9.00am - 7.00pm

Lodi Tomb

Evidence of the sixth city, said to have been built by the Sayyid and Lodi dynasties is found only in the tombs and mosques in the famous Lodi Gardens, which is a favourite point for early morning walkers from the posh south Delhi coloniesLodi Tomb Situated about 3-kms to the west and adjoining the Indian International Centre are the Lodi Gardens.History has it that the tombs are remnants of another city that was sought to be built in Delhi. Muhammad Shah's tomb built in 1450 is a prototype for the later Mughal style tomb of Humayun, a design that would eventually develop into the Taj Mahal.
Other tombs include those of his predecessors Mubarak Shah -1433, Ibrahim Lodi - 1526 and Sikander Lodi - 1517. The Bara Gumbad Mosque is a fine example of its type of plaster decoration.






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old fort historical places

Humayun's Tomb

Humayun was the eldest son of Babar who was the first emperor of Mughal Empire in India. He succeeded in becoming the next Emperor. Humayun ruled India for about a decade till he was bitten by an Afghan Emperor Sher Shah Suri. In 1555 AD Humayun regained Delhi with the help of Shah of Persia. Humayun died an unfortunate death in less than a year's time after his conquer. He felt from the stairs of his own library known as Sher Mandal library. The Persian wife of Humayun named Bega Begum then decided to build a tomb for her husband which was named as Humayun Tomb.

The construction of the tomb started in 1562 and the building was completed in the year 1572. The building is famous as the first building built in the era of Humayun's son Jallaluddin Mahammad commonly known as the Akbar. The tomb was constructed with the help of Persian architect named Mirak Mirza Ghiyuath. For this reason, Humayun Tomb has a clear influence of Persian architecture. The site for construction was chosen on the bank of Yamuna River adjoining the shrine of the Nizamuddin Auliya a Sufi saint of Chisti silsilah. The tomb was the first garden tomb made in India. This tomb became the landmark in establishing different essential norms for buildings later built in Mughal Era.

The structure is mainly built in red sandstone. The marble is largely used in the borders. The dome is made of white marble. To relieve the monotony black and white marbles have been used. Humayun's tomb is the first building built in India to use the originally Persian concept of a double dome. The tomb is geometrically placed in the middle of specially made garden. The garden is divided into 4 parts. Therefore the garden is called as Char Bagh. The garden is divided in 36 small squares by grid of water paths and channels. The Persian garden concept was introduced in this tomb firstly which then went on till the period of Shah Jahan.

There are two double-storey gateways on south and west that lead to the enclosure. There is a pavilion at the center of the eastern wall and a bath chamber in present at the center of the northern wall. For entering the tomb's chamber we have to come through the south entrance. The other three sides have been covered with mesh wire and white marble. In the exact middle of the central chamber lies the tomb. The actual resting-place of Humayun is directly beneath the underground chamber. The roof is surmounted by a double dome made of marble which has huge diameter of 42.5 meters. The dome had pillared kiosks (also called as chhatris) placed around it. Several rulers of the Mughal era have been buried here.

In 1857, during the first independence war, Bahadur Shah Zafar with three princes had taken refuge in this tomb. Humayun's Tomb is a must visit place if you are planning to roam Delhi, the city of big hearted people!

Accommodation:

Being a capital of India, Delhi serves you with all types of stay and food options. Many 3 star, 5 star hotels are available in the city. Also many low cost lodges make you rooms available.

Akshardham Temple

Swaminarayan Akshardham in New Delhi epitomises 10,000 years of Indian culture in all its breathtaking grandeur, beauty, wisdom and bliss. It brilliantly showcases the essence of India’s ancient architecture, traditions and timeless spiritual messages. The Akshardham experience is an enlightening journey through India’s glorious art, values and contributions for the progress, happiness and harmony of mankind.

The grand, ancient-styled Swaminarayan Akshardham complex was built in only five years through the blessings of HDH Pramukh Swami Maharaj of the Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha (BAPS) and the colossal devotional efforts of 11,000

artisans  and BAPS volunteers.The complex was inaugurated on 6 November, 2005.
Akshardham means the eternal, divine abode of the supreme God, the abode of eternal values

and virtues of Akshar as defined in the Vedas and Upanishads where divine bhakti, purity and peace forever pervades. For the first time ever in the world witness the heritage of India in all its facets, insights and beauty at the Swaminarayan Akshardham through its mandir, exhibitions, verdant gardens and other attractions.

Old Fort Delhi

Introduction

The Purana Quila or the old fort is one of the most captivating tourist sites that narrate the history of Delhi in details. Constructed by the Mughal emperor – Humayun, the Purana Quila is evidence to the glory of the Mughal art. The Purana Quila is situated in New Delhi and is said to guard the ruins of the city of Indraprastha that is mentioned in the Mahabharata.

History

Known as Dinpanah meaning the ‘refuge of the faithful', the Purana Quila was built between 1538 and 1545 by the Mughal emperor Humanyun. The fort originally lay on the bank of the river Yamuna before the river changed its course. The Purana Quila was built by Humayun in an attempt to build a city of his own. But characteristically, the Old Fort did not bear the name of its creator unlike the other emperors erecting such structure. When Sher Shah defeated Humayun most of the structures inside the old fort were demolished and was renamed as ‘Shergarh' . But once again as Humayun recaptured his city from Sher Shah's son he took the task of completing the city and rebuilding its old glory.

Description

The Purana Quila is another reminder of the bygone Mughal era which excelled in architectural styles. The Purana Quila has three majestic gates:
The Humayun Darwaza
The Bara Darwaza
The Talaqi Darwaza

The three gates are double storied and built with red sandstone. The Humayun Darwaza and the Bara Darwaza were the two gates that were open for entry inside the old fort. Entry was prohibited through the Talaqi Darwaza as the name suggests. Talaqi means ‘forbidden'

• The other two attractions at the fort site are:
• Qila-I-Kuhna Masjid,
• Sher Mandal
• the small museum

The Qila-I-Kuhna Masjid was built by Sher Shah when he had captured the Purana Quila after defeating Humayun in 1541. The prayer hall is the most imposing part of the masjid that has five doorways with horse shoe shaped arches. The original plans of building the entire place with marble was jeopardized due to supply shortage. But the fusion of marble and sandstone has given the masjid a unique style.

The Sher Mandal is now an observatory, octagonal in shape. The structure and style of the building suggests that the Sher mandal was built for entertainment purposes. The style and design of the building proves a definite coupling of the Muslim and Hindu architectural magnificence. When Humayun recaptured the Purana quila from Sher shah's son, he used the Sher Mandal as his own library.

The museum at the gate of the Purana Quila has many artifacts recording the beginning and end of a glorious era of the Mughal period.

How to get there

Tourists can avail local buses, taxis and auto rickshaws from different points within the city. Many hotels arrange for conducted tours for tourists.

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